- Hard Lessons : Four Erotic Novellas
- Why should you use Wordery Specialist
- Hard Lessons - Sommer Marsden - Google Livres
- Items in search results
- 8:00 am to 5:30 pm
This week the Lambda Literary Review honors the impact great storytellers of all kinds have had on our lives by switching things up a bit. What was formerly known as the Lambda Literary Review will be converted into something a little more like the Lambda Cinema Review. For the next seven days we will be sharing their answers with you, along with a few other surprises.
What are your three favorite films? Michael Albo Michael Albo is an American writer, comedian, actor and humorist. My first answer to that question is always, always: Sometimes I think about why exactly I attached so much to this movie, and if I would have had a more stable life if I had obsessed over a more mainstream fare. The sorrowful and sexy Eusebio Poncela his eyes are the color of a swimming pool in summer plays Pablo, a gay film director who has just released his latest film.
In a party after the premiere he meets Antonio Antonio Banderas. The story of an out gay writer with a trans sister and a passionate and confusing life electrified me back then, and still does. Stephen Beachy Stephen Beachy is the author of two books and two novellas. See it on the big screen, if you ever get the chance. In , before his blockbusters and Viggo Mortensen, David Cronenberg was at the height of his powers. With plastic surgery, he gets a whole new identity. A Journal of Gay Poetry , and has written two collections of poetry.
A young girl falls into hero-worship with an older teenage girl, the cool kid on her street the bad girl, played flawlessly by Lewis. I had a cool kid living down the street from me who was also a bad boy. I felt it was my story, and from that summer through the next, I spent many hot afternoons rewinding it on my VCR, eventually watching it with the bad boy sitting right next to me.
He has written extensively on film, books, theater, and LGBT issues for four decades, in both mainstream and queer publications. He is the author of three books. The Uninvited —a now little known Hollywood hit directed by Lewis Allen that is a lesbian ghost story, and at its heart about the fear of queerness. Adopted from a play by the gay writer John van Druten, its gay subtext is so obvious it actually seems to be the text at times.
It is so smart and so on-target it feels fresher now then it did over 25 years ago. Cat People — a great Val Lewton thriller from , which has, given the time, striking feminist and even lesbian politics and is really scary as well. He loves books, good food, tequila, and the beach. What does it for me is the fact that Hitchcock manages to make a mystery based on romance and desire, not murder, larceny, or psychotic birds.
The moment it ends, I find I can barely remember what I just saw. We could not function without the support of the Canada Council for the Arts, so once again, a huge thank you to them. Their support, along with that of numerous arts organizations and granting bodies, makes this work possible.
Recently, heated discussions have arisen regarding Amazon and its negotiating practices or tactics? People seem polarized believing that Amazon is either the enemy of the publishing world, or conversely, the savior of authors. Many independent authors have argued that after much struggle attempting to find a publisher to produce and distribute their works, Amazon has been their savior. With a self-publishing program offering unbelievable royalties and the power to produce what you want, packaged however you would like, Amazon is a beacon to the unpublished author.
Hard Lessons : Four Erotic Novellas
It has also begun to publish in its own name, choosing authors and titles to produce and promote James Franco, anyone? The big five publishers in the US have all been slotted to negotiate with Amazon in regard to the prices of their ebooks on Amazon, and here is where all the trouble starts. Of course Amazon attributes this to technical errors and has invited patrons to purchase those titles from other websites including competitors…seriously. I love reading, I love supporting authors yes, all authors , and I also love the convenience ebooks offer me.
I am also not surprisingly , on a budget. So while I do want authors to succeed, I also want to be able to consume as much of their work as I can. Thus, I have absolutely taken advantage of an Amazon sale to get my hands on the latest book from one of my favourites. But I do appreciate their attempt to make money by selling a product more cheaply than someone else successful business strategies, anyone?
Leave us a comment or novella, as it were, if you feel so inclined! Poetry, as an art form often suggests a lofty inaccessibility, and Pin Pricks blows that misconception away. Each and every Pin Prick as Arima dubs each poem is a well thought out commentary on the everyday things that make up a life, including the experiences we share and the idiosyncrasies that make us unique.
His ability to magnify little moments, some version of which we have all experienced means that Pin Pricks is more than just a collection of poems: Tributes are still ringing. Art in Action, Quattro Books. David is no stranger to television and film, as many of his works have influenced television or radio shows, ballets, and plays.
A Book of Hours. I do a lot of reading. But before you even send it to a friend, try to edit it yourself. So where am I going with all of this? What I will do, is rant to you about the misuse and mixing of verb tenses in writing and why it bothers me to no end. Say your story is written in the present tense, and your narrator is reflecting on something that happened in the past. In this case you would need to switch tenses. Here are some simple guidelines to help you avoid making this grammar faux-pas.
Most people are more comfortable writing in a certain tense. Find yours and stick to it. I personally prefer to write my fiction in past tense, so I tend not to stray from that. Your publisher prefers stories written in present tense, but yours is in past? You wrote it in past tense, leave it in past tense. I cannot stress this enough. Read it in your head, read it out loud, read it over and over and make sure it sounds right.
Learn how and when to use each tense. Everyone knows about the parades and parties that are happening next week, and those events are a great way to celebrate Pride Week, but there are also plenty of literary events happening in the city that you should consider checking out. Toronto Public Libraries all over the city are opening their doors to authors, singers, comedians, and drag performers, showcasing thought-provoking discussions on the history and ongoing struggles of LGBTQ people for full equality and rights.
Hugh Brewster, part of the Body Politic collective and one of the organizers of the first Gay Pride Parade in , moderates a panel of gay activists past and present. The Science of Gaydar: Fiction With Friction Sun Jun 29th This is an official Proud Voices, World Pride event! For more events go to www. Pride Toronto began in the early s with its Gay Days Picnics and became an annual event in with the first Pride Day being officially proclaimed by City Council in The Church Wellesley Village is home of the ground-breaking inclusive community centre The which has over 80 community-led social, recreational, arts, and cultural programs including the youth writing program Pink Ink and OUTwrites, a space for queer writers and literature workshops for queer participants.
Aside from WorldPride featuring spoken word events, singer-songwriters, drag artists, dance, and burlesque performances across 10 open air stages, the youth programs Fruit Loopz and Black Queer Youth and the family friendly zone Family Pride will provide entertainment for visitors of all ages. A free street-fair and Arts and Culture Festival will also take place from June In a society where gender is often still considered a binary divide, people identifying themselves by unique definitions often fall through the cracks.
Enter Terry Tomey, protagonist of Rough Paradise , who is an intersex teen born as Theresa but longing to legally change his name to Terence and live as a man. Though Terry knows he is meant to be a boy, his attempts to live truthfully are constantly frustrated by a closed-minded community that chooses to ostracize rather than understand diversity. The two form an unlikely bond as best friends, confidantes, lovers, and the only support system each other has.
When his blossoming relationship with Darla culminates in several intense erotic encounters, Terry experiences pleasure but also confusion and shame at his body, a universal experience of adolescence magnified further by the humiliation imposed on Terry by his parents and doctor.
Informative, entertaining, and highly relatable despite its exceptional subject matter, Rough Paradise manages to cut to the core of the adolescent experience while addressing important social issues. Over fifty literature enthusiasts including supportive friends, family, and fellow writers gathered to hear readings from first time novella-ists Alec Butler and Robert Shoub as well as a reading from poet Phlip Arima. Alec Butler then read from his compelling first novella Rough Paradise about an Intersex teen struggling with self-discovery in a conservative small town.
Robert Shoub followed Butler with a reading from his novella Look at Me , a bold and blunt satire about technology, violence, and the struggle of many contemporary youth with masculine identity. While introducing this highly topical book, Shoub reminded the audience of the recent horrific events in California with two haunting words: Quattro Books would like to thank its May authors for contributing to a successful evening of poetry and fiction as well as other Quattro Authors who came along to support the press on this special occasion. The first day I met Darla and spoke to her, I was trying to be as inconspicuous as possible.
I was not having any luck lying low and I stuck out like a sore thumb wherever I went. I was trying to save a starving cat that was hanging out in the school parking lot. I watched Darla as she put on her red lipstick in the side-view mirror of a souped- up Duster. Pussy is the beautiful calico cat I was trying to save that day. Pussy finally came out from under the cars that morning before first period. I was determined to save her. It was also the first time I spoke to Darla.
It was the first time Darla spoke to me. Because of Darla, the starving cat finally let me feed her some of my tuna sandwich and pet her. I will never forget Pussy arching her back into my hand, purring as I looked up at Darla as she put away her lipstick. Now, Pussy lives with me, here in my room. Sleeps on my bed. I love my pussycat. It will be impossible saying goodbye to her. In the past month, the literary community bid farewell to three authors who produced a lifetime of critically acclaimed and universally recognized work.
Mowat also left a legacy decorated with Canadian literary awards and a ship named in his honour. MacLeod was known for being a perfectionist, and his eye for detail shows through in his work. Farley Mowat achieved fame with books chronicling life in the Canadian North and his advocacy for environmental causes. An outpouring of public tributes combining grief and admiration were seen for these writers, demonstrating the immense impact their words have had on the world. Though they may not have lived the type of fast-paced, anxiety-riddled writerly existence glamourize in film and popular fiction, these gentlemen of words prove that longevity and commitment to craft are the true marks of an artist.
Did you know that Latin has shaped sixty percent of all English words? Or that today there are over million native speakers worldwide of Romantic languages derived from Latin? These are just a few of the many facts about the Latin language and its continued influence that can be found in this delightful treatise on communication in the modern age. Cleopatra begins with a single father setting out to connect with his teenaged daughter, injecting himself into her daily life by undertaking the study of Latin, one of her tenth grade electives.
Visit the Events section of our website for more information. So, my happy family.
Why should you use Wordery Specialist
She also flips a lot of properties herself — buys them, gets her crew to work them over for a month or two, then resells them for more. She carries mace and a small caliber gun — I think a. Plus it had a fully equipped digital front projection theatre with a twenty-foot screen, popcorn machine, the whole place wired for sound with hidden speakers, sauna wired for audio, heated garage, wine cellar — man, why would anybody sell that?
Goodbye world, see you later. What else do you need? Maybe just because I could. It just felt kind of cool. So, anyways, now I have this drawer filled with ashtrays and cutlery and fridge magnets and shells and pens and even a few photos. Sometimes I make up little stories in my mind about all these people.
What their lives were like. I went with my mom to one house that was done in this real clean way, all granite and glass, everything grey and shiny. Kind of like our place. In one room they actually had a tree, like a huge tree trunk going from the floor to the ceiling, with branches and everything — no leaves though. Get this — it was coated in plastic sealant. It had little photos in plastic sleeves hanging from the branches — I took one. I called this thing the Tree of Wishes and made up a story about how the tree had magic in it, how in ancient times people would come to make wishes for their future and leave things in a hole in the trunk.
The people who lived in this house had heard about this. When they bought the property they decided to put the tree inside their house, and preserve it forever, and the photos were their way of making their wishes.
- 3 Responses to “Lambda Literary Goes to the Movies: Authors’ Favorite Films”.
- Sugar Fork: A Novel.
- Topic Maps: Semantische Suche im Internet (Xpert.press) (German Edition)?
- Shop by category.
But the gods were angry at them for cutting the tree down, so the whole family died in a fiery car accident … or something like that. John Calabro who has moved on to new and exciting opportunities with the Toronto International Book Fair. Next our Quattro authors took to the stage with Christopher Levenson treating the audience to a selection of poems from his new collection Night Vision.
Quattro Books would like to thank its April authors for contributing to a successful evening of poetry and literary non-fiction as well as other Quattro Authors who came along to support the press on this special occasion. Thank you to everyone who came down to Supermarket and assisted in making this event a success! We look forward to seeing you at our next launch on May 28th, !
Despite my commitment to the task of recovering the importance of darkness, I am as delighted as anyone when the light returns to defeat the dark at the spring equinox. Briefly, they are equal partners; but then, the light stretches its long arms and pushes back the dark. Naturally, I follow, shedding my winter clothing and stretching more freely with the extending days. The city streets and parks fill up with people walking, running, playing, throwing frisbees, kicking balls, happy dogs scampering after them.
Lolling on grassy slopes, I join the human throng, longing in sympathy with the blazing yellow forsythia and the ruby red tulips, rising with shocking beauty and confidence from the warming earth. According to ancient pagan correspondences, spring is generally associated with the element of air.
This may be because for our ancient, European ancestors, the central male divinity was symbolically tied to the growing and dying vegetation. His fate, therefore, was directly linked to the solar cycle, which is also why he is sometimes identified with the sun itself. In spring, with the lengthening of the days and the warming of the nights, the air itself seems to grow in prominence.
Our bodily attunement to the season seems to confirm this. The days are not only getting longer, but somehow wider, as if the surrounding world were expanding and we with it. The shedding of our winter clothing means the air can touch our skin, warm breezes awakening our sensuous connection to the elements. I have always had great difficulty commemorating the crucifixion of Christ right in the middle of spring and the exquisite flowering of the earth. Although I am no longer a practicing Catholic, I still experience Good Friday as a somber day, set against the incongruous backdrop of chocolate bunnies and Easter eggs.
For like most other holiday celebrations, the dominant symbols and rituals, though detached and rootless, always hark back to our pagan ancestry. The bunnies and eggs, for example, relate back to an ancient, European fertility Goddess called Eostre, whose symbol was the hare; the eggs, symbols of fertility and rebirth, are associated with the maiden Goddess of spring. One of her electives, she informed me nonchalantly between munches of whole-wheat toast and sips of cinnamon tea, would be Latin.
As her father, I naturally think that she is beautiful and talented and wise, but I was startled to learn that in our era consumed with that which it is nourished by: Facebook, YouTube, Twitter and continuous text messaging Latin was even an option at her local public high school. When I asked her why she wanted to study an ancient language, she said, in that special tone which teenagers have of talking to their oh-so-out-of-touch parents: Do I need a reason?
I think it will be fun. A bunch of my friends are also taking Latin next year. Even with the technological benefit of wireless GPS, accompanied by a standard-issue internal compass, a parent is always on the lookout for unmarked paths and mislabeled routes that must be negotiated.
One small, cunning example of this: As a former English major who has wandered among books and writers — including a few ancient authors, all in translation, of course — I decided that it might be fun to accompany her on this year-long linguistic adventure, despite the evident navigational hazards. It might help spark my sympathies for this foundational language, might inspire some random reading of a few great writers, and might provide me the opportunity to read about early Roman history and perhaps even consider if there were historical lessons that could be applied to our Internet-infused age.
Would I get in her way by being too parentally pedantic? Would I embarrass her more than I usually do in front of her friends? Would my language acquisition skills my grey matter is already turning hard and crusty be able to keep up with her language acquisition skills hers is still refreshingly soft and malleable? Would we still be talking to each other at the end of the school year?
I had, as usual, more questions and doubts than answers. For anybody seeking honest, compelling images of living through the Blitz, working in war torn and flood-ravaged countries, and striving for political change, Levenson has produced a masterpiece of narrative whose haunting imagery encourages the reader to take a moment and consider what humanity seeks to accomplish with its continued glorification of war and efficiency.
As the collection continues, Levenson examines violence on TV, the regeneration of destroyed cities, and the narrow divide between human and animal, drawing parallels between old and new, innocence and experience, good and evil, and inviting us to examine the thin line between these worlds. Night Vision takes its title from the night vision goggles worn by soldiers to see through the darkness to destroy and kill as well as from the political and ecological night that threatens humankind.
With beautiful, thought-provoking language Levenson paints pictures of life in Europe, Canada, and Central America in both the Twentieth and Twenty-first Centuries, inviting readers to question the global respect for rationalism which has bought about so much destruction. Night Vision is filled with beautiful and compelling poems and is rife with poignant observations of human pain and loss. On May 30, Chapters former flagship store at John and Richmond Streets will close its doors to the public, making it the sixth in a chain of bookstore closures in the GTA this year alone.
The closure of bookstores across Canada is nothing new, as less than independent booksellers and bookstores remain across Canada as more people purchase their literature online and in the form of e-books. This begs the question: However, I would also argue that e-books are disposable, easy to overlook amongst the dizzying clutter of files and folders on any device, and often inaccessible to those without access to the internet or who do not have a credit card or PayPal account.
Printed books, on the other hand, remain accessible to all whether in a bookstore or library, and can be passed from hand to hand in a trail of words.
Hard Lessons - Sommer Marsden - Google Livres
Books demand to be acknowledged, to be picked up and leafed through. They require space on a shelf, and the physical investment of mind and body which is so rare in our internet age. Though large shops are closing down, smaller stores — including those in the Book City and Chapters families — remain open. Perhaps a return to the small, localized book shop is on the horizon. Either way, books are here to stay. I found the Y a loudly congenial place, as it was about to go off, pending the day when methadone users would outnumber Methodists. At twenty-one dollars a week, however, the rent was more than I could afford.
When one of the reporters at the Intel left town, I was able to assume her spot in a communal apartment in the old flat-iron building at Main and South Streets, between the newsroom and the cavernous railway freight sheds by the river. Five of us lived there for what one or two persons might have expected to pay for other accommodations of equivalent squalor. A determining factor in the price was the way that one could reach the place only by passing through the premises of the business that occupied the ground floor.
The establishment was called the Stark Artificial Limb Company. We had latchkeys and at night would grope our way across the showroom in the dark, bumping wooden legs and other such prostheses. I marvel now at how busy I was and to so little purpose. No doubt it was partly to put emotional distance between Mother and myself that I ran everywhere and took part in everything, though beneath the desperation, I believe, was a real sense of joy at being able to indulge an appetite for experience.
The war dominated the news and reaction to it was becoming the central element in the arts, whether boldly stated or not, and I entered into a stage, lasting perhaps a dozen years, when I felt completely attuned to the rhythms of the popular culture even though I was not a direct consumer of its goods. All through that period, for example, I never had a stereo or even a radio but knew all of the music intimately, as though some generational organ inside me had sucked it in from the atmosphere and drawn it through my pores.
Looking back, I seem to have been balanced on the moment, living in past and present alike, nocturnally and in daylight. I was sick, frightened and disgusted most of the time, but strangely I was never more open to experience. Walking up and down, huddled inside a reefer coat from the army surplus store, you got somewhat the same feeling you get in England, the sense that history lies in layers beneath your feet.
What set it apart was its improbable innocence. One of these was the occupation of the East Village. The New Wave was under way there. You could see it in the rejection of gentleness and in the violence that informed the happenings, the light shows and most of all the street life. I had a routine because I had a mission. Each morning, before the lack of sleep disabled me, I would ascend Fifth Avenue to the main public library at Forty-second Street and study the Canadiana there.
In time I got to the point of maintaining a correspondence with a few Canadian writers. Now, sitting in the library, sometimes taking pills to help me stay awake in the impossibly overheated reading room, I deepened my commitment to learning Canadian politics, economics, culture — the works. The abiding tradition of anti-Americanism always present deep down in the public if not always pursued by cowardly governments, was one I found especially attractive, though I was careful not to let my own enthusiasm shape my curriculum. For the only time in my life, I was a serious pupil in addition to being a good student.
The place seemed haphazardly run, with erratic schedules, inconsistent design, almost non-existent promotion. Yet we were the new attractions at the zoo, drawing large crowds, and the media had to pay close attention even though they had never seen such animals before. Incredible though this may sound today, the big newspapers rushed to do full-page stories on us.
A few other small presses on the scene were engaged in interesting publishing too. Talonbooks was in the process of emerging from Talon, the little magazine, and there was another Vancouver press of some importance: But Very Stone House tapered off after a while, as Pat roamed restlessly around the country, haunted in some measure, I think, by the tragically early death of his elder brother, the poet Red Lane. Towards the end, the Very Stone House publications were chapbooks or folded broadsides under the imprint Very Stone House in Transit, put out from wherever Pat happened to be — logging in B.
The most important underground press prior to Anansi had started in when Stan Bevington and a number of others opened Coach House Press in Toronto, on Bathurst Street below Dundas in a perfectly nice slum, which an overly officious government later razed for a park. Bevington, a printer, had red hair and wore a big beard, and was friendly in a slow-moving non-specific way — and equally so to everyone. His interest was in handsetting type and keeping his old Linotype in operating condition.
The Coach House logo, then and later, was a cast-iron platen press with an enormous fly-wheel, and in those days he actually printed on the press from which the image had been made. Later, in the s, Bevington made a complete volte-face, suddenly abandoning the traditions of the craft for the vanguard of computer-generated graphic arts. The switch was probably coincidental to the emergence of Coach House as one of the primary institutions of what would later be prevailing orthodoxy, but the two events were parallel in time. High winds up there. Down here after a close day, relief.
A few lamps cautiously peer into encroaching darkness. Come what may, I am at ease making my peace with night. Once everything was distance: Their details re-jig my brain: People are on display here. These cities become me. Levenson will also be reading in Ottawa and Kingston at the end of April. While Canada is doing well for itself with over a dozen poetry awards distributed annually, in comparison to honours given for literature and non-fiction in both Canada and worldwide, recognition for our thriving poetry community is severely lacking. But poetry, which was once the most popular art form during the days of the Romantics, was never meant to be inaccessible and indecipherable.
Our ancestors gathered around the fire and tried to communicate with mysteries bigger than themselves. Natasha Trethewey, former U. The League of Canadian Poets as well as small presses like Quattro are doing what we can to ensure poetry will always have a place in Canadian culture, and there is no better time to get involved than during National Poetry Month. I really enjoyed this book. I really liked it.
Yes, I am an adult, and yes this is an original fairy tale by the beyond talented David Day. It pulls you almost instantly into a world where the music of a simple instrument, can cast a spell as bewitching as an enchanted forest. The protagonist is a young flute player named Kung who is mild and even tempered until his uncle is tricked and taken away by sorcerers with evil intentions.
Kung follows his uncle and on the ways encounters a dragon, an enchanted forest, a beautiful and wise princess and an emperor with an unusual collection. Overcome evil with reason, not with force. Taking the time to slow down and think allows Kung to defeat a great evil and reunite with his good friend panda.
I wonder what kind of place the world would be if we all slowed down just a little and took the time to think a bit more. Perhaps this story is meant for children, but perhaps there are some adults who could use to indulge in a fairy tale too.
- Bestselling Series.
- Summer Love?
- Sign Up for Our Newsletter!.
The biggest surprise was how much I learned by reading it. It was smart, and fast paced and I feel like I learned about relationships between Israel and Palestine in a way I had never considered before. Against a fictional backdrop, the issues took on a different and new meaning for me and painted a picture of a part of the world I had, admittedly, not wholly understood before. In many ways, a book that can open your eyes and show a reader something new, is a wonderful gift. I was also drawn to the heroine, a strong and steadfast intelligent woman, weaving her story and herself through the London underground in an attempt to solve a mystery and a murder.
I am, however, so pleased to have read it! It was a refreshing take on the mystery, crime, and thriller spy novel and kept me guessing until the end. Despite his rescinding his comment on the grounds of being drunk, the idea is one worth considering. If we rely on government grants to produce art, does this mean that the integrity of that art is compromised in order to accommodate, or not risk offending, the patron?
There are numerous examples of edgy and interesting Canadian writers and publishers who continue to push boundaries. So there you have it! Should a book be preferred for publication if it lacks originality but caries a big name? Or do we take chances with something smaller that might pack that punch that Shteyngart is looking for?
The only time I have been silenced in my life was when I was a small child, or, occasionally, when I was a young woman living abroad—that naturally happened while I was learning different languages. It also happened because I was female. And that silencing helped me to identify with all people, children and adults, who struggle against various mechanisms of oppression. Shutting people up is one way of oppressing them, obviously. But I love how people always keep talking. If we had listened to them, perhaps there would not be dozens, hundreds of missing Aboriginal women in Canada.
Or perhaps we might have arrested and imprisoned the sick men who are murdering them with shocking impunity. If we listened well to the stories of abused children, perhaps we, the adults of the world, would not allow other adults to abuse more children sexually in order to make pornography. Did you read about that last ring, broken by the Toronto police? An international porn ring, with teachers and doctors and nurses and community leaders in on the fun.
To hear depressing true stories on the news is one thing; listening to a living individual is another. That is one of the great works of poetry: Sometimes it can witness, and poetry that witnesses has always moved me because of the circumstances of my own life, both here and abroad. But beyond witnessing, poetry provides a room, a chamber for listening. Poetry can respond to what is going on in this world, in this country, in this city, in your city, on my street.
The poet can bring the world into this room; she can bring any human voice into our range. I know because I sometimes read their blogs and web pages and chat with them in person. Sex-workers, especially, of all stripes, have become organized and articulate in the last twenty years. It was brave, articulate, smart sex workers who challenged those outdated and discriminatory laws.
Still, there are many people who do not write things down, who do not or cannot speak out loud. Many stories are lost or hidden or denigrated—unlistened to—by the wider culture. Learning from them, allowing them equal space in my cluttered brain. I have spent half my life speaking imperfectly in other languages. When it comes to communicating, perfection is not the point. In Turkey, carpet-weavers are instructed to weave a flaw into their designs, so as not to insult God by trying to be perfect.
What great instruction for any artist. In fact, it cannot be perfect because perfection is inhuman. What does that mean, especially with this new book? It means I might say it wrong, but I will dare to say it. Check out the full interview HERE. It is with mixed feelings that I announce that after four years with Quattro Books, I am leaving my position as Assistant Publisher to pursue another opportunity. While the new challenges ahead excite me, Quattro is not a job I can easily leave precisely because it is more than a job: Four years ago, I finished my degree, packed the uncertainties of my future up with all my worldly possessions and caught a Greyhound bus to Toronto.
I had no plans and no direction; I only knew that I wanted to keep reading, keep writing, and work with books. Much to my good fortune, my writing professor, Seymour Mayne, had put me in contact with a certain Beatriz Hausner of the publisher Quattro Books, for whom I might have a chance to intern. I am forever grateful to Professor Mayne that he sent that first email, and to Beatriz for replying! Reading about Quattro, and their commitment to publishing varied voices to better represent the diverse character of Canada, and their championing of marginalized voices and indeed, a marginalized genre, the novella , made me eager to work for them in any capacity they would have me.
And so I met the Quattro team — Beatriz, John, Allan and Luciano — and much to my wide-eyed amazement, my dream of working with books became a reality. I began as their enthusiastic, but hopelessly clueless, intern. Their patience with and confidence in me was encouraging; in short time, I was managing projects and learning about all facets of the intricate world of small publishing.
Eventually, I moved up to Assistant Publisher, and could devote more time and effort to supporting the press that I had come to love, and the industry that I have come to fiercely believe in. Scroll to the Poetry section. Hi Ken, There are dozens of poetry publishers accepting manuscripts from writers. Before I place them on this list, I research how many books they've published, the terms of their contracts when available , and whether they are still open to submissions.
I don't include any publishers I would not submit my own work to. Once I've assembled a complete list, I post it on my blog, and on this page. Where did you read that Dial Press no longer accepts unsolicited manuscripts? According to their submission guidelines, they do.
If they've changed their policy, I'd like verification. Erica, thank you for your exhaustive and meticulous list. I've been querying agents unsuccessfully and I think I will give this a try. Best of luck to you and thanks again! I have just finished writing my "Memoirs of an Exotic Dancer" I was a dancer for 17 years and have no idea what to do with it now. None of the publishers you listed seem to fit the style of my book. This absolutely seems as though it is a memoir, as long as there is nothing fictional about it.
A publisher will do their research before publishing. If you include a timeline of when and where you were born, make it more fact-based in general, it might fall under autobiography. Hi Trish, here is a list of publishers that accept unagented memoirs. I have not checked them to see if they are still in business, or if any of them are vanity presses. Read their websites carefully. I am ready to send my ms to a publisher. My problem is do I need an agent? How do I know if the publishing company is a good one? You don't need an agent for any of the publishers on this list. And all of the publishers on this list are reputable.
If you want to know more about writers' experiences with publishers, you can type the name of the publisher and "absolute write" into a google search. Absolute Write is a forum where writers post their experiences with agents and publishers. It's a good way to get information.
Items in search results
How do publishers feel about books that have been self-published. Mine are available Amazon, but I'm looking for a publisher to give them a fresh look and more visibility. I'm thinking of publishers in the UK, for example. Publishers have a double standard when it comes to self-published work. If your book has been a success, they are more than happy to publish it. If not, they are reluctant. If you have written a genre book sci-fi, fantasy, romance it is a little easier.
It's worth a try. I'll let you know the results. Speaking as a small publisher, we do not view submissions of a self-published work any differently than any other submission. We're looking for quality and individuality in a story. Only after we've decided to pursue the submission further do we research and review information about the writer and any previously published works on the internet.
This is based upon the fact that being self-published, agented, or unagented is no indicator of quality. Some of the worst submissions we've received were agented or from previously-published authors. Some of the most interesting have come from first time or self-published writers who need a boost with graphics, or some serious editing.
Another way we differ considerably from other presses is the fact that genre fiction is generally not to our taste. Send us something interesting and unique - your best story. We promise to give it a fair reading and feedback. Thank you for this opportunity to clarify. We have received a number of emails since posting this. I should mention that submissions do need to go through a normal submission process. This article lists a number of important inclusions. Our submissions page is on our website and contains guidelines to be followed.
Thank you for the wealth of valuable information. Are the list current for ? I believe the list is current, but things change rapidly in the publishing world. Wow, thank you so much for this wealth of information. Thank you very much! You're a rock star Erica Verrillo! Thank you for the well researched, well organised list. Too bad for Samhain; I enjoyed their work. You can add Elphame Press to your list. Thank you for the info.
I have written an inspiration memoir and am having trouble finding a publisher for that genre. Since this is my first completed work, I would love to find a publisher that would work with me to promote it with out charging an arm and a leg. Are there still traditional publishers out there? The publishers on this page are traditional. That is, they pay an advance most of them and do not charge.
You should not pay any publisher to print, distribute or promote your book.
- Dream Walker!
- The Midnight Mystery (The Boxcar Children Mysteries).
- Hard Lessons : Sommer Marsden : .
- Blue Bayou;
- Hers For A Night (Mills & Boon Vintage 90s Modern)!
- Blog | Quattro Books | We are the home of the Novella..
Thanks for the listing Erica, well done. I have one question though: You mentioned that the publishers here are "traditional". I noted that several refer to themselves as "independent" or "independent non-profit". Would these "independent" publishers then be considered traditional, in the sense that they do not charge the author for any publishing or marketing services? Traditional publishers offer an advance, however modest. They also offer royalties, again, however modest. And they do not charge for printing, editing, distribution, or any other services. I would steer clear of hybrid contracts.
There is no reason for authors to pay to publish, or to be responsible for their own marketing. This is great info. I am currently working on my fourth book the first three are createspace and KDP published Hoping I have some luck. Thank you very much for posting this! Thank you so much Erica Verrillo. I was misreading the term "independent" as "indie". And again, thank you so very much for putting this list together.
You have saved me weeks of research on my own. I liked the article. I am doing a c-author mermaid book. I am hoping to do five books total. My co-author book is a young adult book.
8:00 am to 5:30 pm
Hello, very good and informative article. Do you know if any of those accept submission of books that are already self-published on Amazon? You have to look at their submission guidelines. May publishers will accept a self-published book nowadays, especially if it has been successful. Giving you four more: Love Knot Books - https: Sci-fi and Wicked Tales have anthologies. ReInvented publishing is accepting unsolicited submissions! They are new company but not new to tje publishing world.
They do not charge fees for their traditional publishing. They do also offer services by service by service basis. Which are low cost and you dont have to be a published author through them to request those services either. Their website isn't fancy and is growing and changing all the time… and should improve within the next month or so. Wolfpack Publishing is accepting Manuscripts in every genre: Any chance you can help me know if there are any American publishers accepting manuscripts in French?
If you type "American publishers in French" into a google search, you can find quite a few. Publishers Accepting Unagented Manuscripts. Small Beer Press was founded in and is run by Gavin J. Grant and Kelly Link. Generally, they publish books per year. Fiction leaning toward the speculative , both short story collections and novels.
Soft Skull Press is an independent book publisher founded by Sander Hicks in Soft Skull is distributed to the book trade by Publishers Group West. Every genre imaginable, leaning toward the bare-knuckled, kick-ass counter-cultural. Please send a cover letter describing your project and a full proposal along with two sample chapters. Please send a cover letter describing your project in detail and a completed manuscript.
Read full guidelines HERE. It is a digital-first publisher, which means in most cases it is a digital-only publisher. Tirgearr does not offer an advance.