- Bach JS - In dulci jubilo
- Two settings
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The A-side is an edited version of the end of Ommadawn part 1. This may not be the same excerpt from Ommadawn used on North American singles. From Wikipedia, the free encyclopedia. Archived from the original on Discography Singles Concert Tours.
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- In Dulce Jubilo.
- Two settings.
Bach JS - In dulci jubilo
Netherlands single cover the UK version has no unique cover. Belgium Ultratop 50 Flanders . Various solo choruses pass the melody from one to another, making use of spatial effects, heard, for example, at the beginning of the second verse. Polyphony and homophony, voices and instruments, all vie for superiority in a vast collage of sound. The three verses are all stated in the first half of the piece. After the dizzyingly fast presto opening with an introductory pedal tone in the continuo, the first verse develops comparatively simply, its extended cadence "Alpha es et o," "You are alpha and omega" the only hint of the extension and repetition to come.
The second verse, a leisurely lento, plays the various choruses against each other, returning to the fast tempo for the cadence. The third verse develops similarly, beginning slowly and quietly before accelerating. Yet like the first verse, the cadence is extended. The tempo returns to lento as the last line of the verse, "Eya waren wir da" We will praise him there , circulates slowly between choruses. The second half of the work labeled as such by Praetorius himself consists of a repeat of the third verse.
Praetorius again uses the contrasts of tempo and ensemble, and other specific techniques from the first half: The final line "Eya waren wir da" receives even more extensive treatment than the first time, as it passes not only between choruses, but groups of choruses. Then this homophonic treatment dissolves into a breathlessly polyphonic setting that alternately speeds presto and crawls lento along.
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Praetorius pulls everything back together for a great cadence, after which the first half may be repeated. Praetorius' In dulci jubilo is remarkable for its composer's use of contrasting sound, virtuosic singing, and appropriate instrumental writing.
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