Guide Adone (Italian Edition)

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  1. adone - English translation - iwojafevazyx.ml Italian-English dictionary
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  4. Adone, Viareggio

Cupid uses his arrows to make his mother and Adonis fall in love with one another. Adonis listens to Cupid and Mercury telling love stories and is then led to the Garden of Pleasure, which is divided into five parts, one for each of the senses, and to the fountain of Apollo.


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Jealousy warns the god Mars of Venus's new love and he heads for Cyprus. When Adonis finds out Mars is on his way, he flees and is transformed into a parrot for refusing the goddess's love. Having regained his human form thanks to Mercury, he is taken captive by a band of robbers.

Adonis returns to Cyprus where he wins a contest of beauty, is made ruler of the island and is reunited with Venus. But Mars has Adonis killed on a hunting expedition by a wild boar. He dies in the arms of Venus and his heart is transformed into a red flower, the anemone.

The poem ends with a long description of the funeral games in honour of the dead youth.

adone - English translation - iwojafevazyx.ml Italian-English dictionary

Into this flimsy framework Marino inserts the most famous stories from mythology, including the Judgement of Paris , Cupid and Psyche , Echo and Narcissus , Hero and Leander , Polyphemus and numerous others. Thus the poem, which was originally intended to be only three cantos in length, was so enriched that it became one of the longest epics in Italian literature, made up of eight-line stanzas 40, verses , an immense story with digressions from the main theme and descriptive pauses. The lengthy Canto XX, which takes place after the protagonist's death, serves to undermine any pretence to narrative unity.

But this very lack of unity constitutes Marino's narrative innovation. The poet composes his work using various levels and passes from one episode to the next without any apparent logical connection, basing the links solely on a language rich in hyperboles, antitheses and metaphors. The aim of these borrowings is not plagiarism but rather to introduce an erudite game with the reader who must recognise the sources and appreciate the results of the revision. Marino challenges the reader to pick up on the quotations and to enjoy the way in which the material has been reworked, as part of a conception of poetic creation in which everything in the world including the literature of the past can become the object of new poetry.

In this way, Marino also turns Adone into a kind of poetic encyclopaedia, which collects and modernises all the previous productions of human genius. The poem is also evidence of a new sensibility connected with the latest scientific discoveries see for example the eulogy of Galileo in Canto X and geographical findings such as Canto VII with its praise of the passiflora , a plant recently imported into Europe from the Americas. Thus Adone , in spite of its technical virtuosity, is a work rich in authentic poetry written in a style which often achieves perfection of rhythm.

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Marino wrote other works in verse such as: I panegirici "The Panegyrics" ; La galleria "The Gallery", descriptions of paintings and sculptures ; the sacred poem in four cantos, La strage degli innocenti "The Massacre of the Innocents" ; the epic fragments Gerusalemme distrutta and Anversa liberata still of uncertain attribution inspired by Tasso; interesting and ingenious burlesque compositions such as La Murtoleide 81 satirical sonnets against Gaspare Murtola , the "capitolo" Lo stivale ; Il Pupulo alla Pupula burlesque letters etc.

Many works were announced but never written, including the long poem Le trasformazioni , inspired by Ovid's Metamorphoses , which was abandoned after Marino turned his attention to Adone. Most notable are the Dicerie sacre , a sort of oratorical handbook for priests, which was considered indispensable by generations of preachers; in its enormously long sermons, which in reality have little to do with religion, Marino takes his transcendent technique of continuous metaphor to an extreme; a feat imitated throughout the Baroque era.

More interesting for the modern reader are the "Letters", an eloquent document of his artistic and personal experience. In them Marino rejects the accusation of sensuality levelled at his poetry, explaining that he was only living up to the expectations of the ruling class, as can be seen in a letter to Duke Carlo Emanuele I. Marino was famous in his time and acclaimed by his contemporaries as the successor and moderniser of Tasso. His influence on Italian and other literature in the 17th century was immense. Marino's verse was very popular with contemporary Italian composers, including Claudio Monteverdi who set several of Marino's poems in his collections of madrigals, beginning with the Sixth Book published in Filippo Bonaffino also set some of his work to music in book of madrigals.

It appeared in the collection El hacedor in For a long time critics, who had a negative assessment of Marino's work from the end of the 17th to the last decades of the 20th century, maintained that the poet's intention was to astound his readers through the elegance of the poem's details and his descriptions.

But Adone , along with a great deal of Baroque literature, has been reevaluated, starting in the s with Giovanni Getto, who was followed by the critic Marzio Pieri in and by Giovanni Pozzi in , who, while denying the presence of a structure, recognised a highly refined form in the poem which he defined as "bilocal and elliptical", reflecting the "hesitation of 17th century man between two contradictory models of the universe, the Ptolemaic and the Copernican ".

Volumes which have appeared so far include:. From Wikipedia, the free encyclopedia. Bandes, Pursuits and pleasures: Retrieved from " https: Views Read Edit View history.

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Adone, Viareggio

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