Manual Five Lieder, Op. 106, No. 2, Auf dem See

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  1. 5 Lieder, Op.106
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  4. Johannes Brahms ( - ) - Vocal Texts and Translations at the LiederNet Archive

We are set up to expect a strophic repetition but it is nothing so simple. This traveller wears his heart far too much on his sleeve genuinely to engage our sympathies; as a result Ein Wanderer is very seldom performed on the concert platform. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.

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Don't show me this message again. Simon Bode tenor , Graham Johnson piano. For this third volume in Hyperion's Brahms Songs cycle, Graham Johnson is joined by the young German tenor Simon Bode in his debut recording for the label. Equally at home in the opera house and the recital hall, Bode's is a voice fusing control a Ian Bostridge tenor , Graham Johnson piano.

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Elly Ameling soprano , Rudolf Jansen piano. Robert Holl bass-baritone , Graham Johnson piano. Volume 4 presents the bass-baritone Robert Holl, famed for his weighty interpretations of this repertoire.

Brahms, Meine Lieder, op. 106 n. 4 (1888)

Included are all songs of Op 94, as well as the Vie The Myrthen Ensemble , Joseph Middleton piano. Dame Sarah Connolly mezzo-soprano , Eugene Asti piano. Her distinctive, intelligent, warm, bright-sounding mezzo-soprano will be enjoyed by her growing 'army' of fans in this rich, romantic repertoire. The moon shines over the mountain, Just right for people in love; A fountain purls in the garden— Otherwise silence far and wide. The Brahms song has been compared to the charming and amusing paintings of the Biedermeier artist, Spitzweg: All is prancing delight between the hands, an energy moderated by dream-like longing.

The third verse is a musical repeat of the first where the same music serves the words equally well—Brahms can be a master of strophic songs when he chooses to be. The moon shines over the mountain, Just right for people in love; A fountain purls in the garden Otherwise silence far and wide.

5 Lieder, Op.106

The sounds steal softly into the dreams Of the loveliest of girls, She sees her lair-headed love And whispers 'Remember me! Ailish Tynan soprano , Christopher Glynn piano. Frommer Liebe Wiege, Nimm sie wohl in Acht! Cling gently to this little boat, O lovely lake! It is a cradle of devout love, So watch over it well! Leave the shore Further and further behind! Never let us Leave this paradise! This is a very welcome thing in a line-up of Brahms lieder, a song of carefree geniality and charm—the latter specifically called for by the word Anmutig in the tempo marking.

Hoarfrost hung from the linden tree, Through which light flowed like silver; I saw your house, bright as in a dream, A gleaming fairy castle.

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The musical means employed in this song are relatively simple, but strikingly original. This conjures an extraordinary sense of frozen time and hovering unease. When my heart begins to sound, And wings of melody unfold, Pale and unforgotten joys Hover to and fro before me, And the shadows of cypress trees. Dark is the sound of my songs! The declaration of this song is no rueful mea culpa, rather it seems worn by Brahms as a badge of pride, or at the very least an unashamed manifesto.

The pianistic style is prophetic of the less demanding pieces Opp and written some years later for Clara Schumann—strands of quavers drifting down the stave, tendrils of sound leading to gentle and haunting harmonic flowerings of shy and subtle beauty. This is an enchanting intermezzo of evanescent poetic substance, music about music, and a companion piece for that other song that attempts to describe the creative process, Wie Melodien , Op No 1, with a poem by Klaus Groth.

Meiner ist der Weg der Leiden, Des ich immer sicher bin.

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Here, where the roads divide, Where do the paths now lead? Mine is the path of suffering, Of that I am always certain.

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In gehender Bewegung is a marking that Schubert used for that cycle, and the key of F minor is the one in which Brahms would have accompanied the baritone Stockhausen in Der Wegweiser , the song in the Schubert cycle to which Ein Wanderer is most closely related. If F minor is the baritone key for Der Wegweiser , it is a demandingly high one for a tenor in the Brahms—indeed the emotional temperature of Ein Wanderer appears especially intense in this original tonality.

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An unforgettable musical experience For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can prac You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience.

Johannes Brahms ( - ) - Vocal Texts and Translations at the LiederNet Archive

In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself! Programme Brahms - Der Gang zum Liebchen, no.