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Silko is regarded as the premiere figure in the Native American Renaissance. A Laguna Pueblo, Mexican, and white storyteller, she infuses all her work—novels, poems, films, short stories, and essays—with concerns for traditional Native American culture and the restorative power of ancient rituals.

Women Writers of America

Raised in the sparse beauty of a New Mexican plateau and a debut recipient of a MacArthur Genius Award in , Silko deftly explores complex relationships between humans and nature. Oregon State University Press. Robin Wall Kimmerer blends her scientific understanding as a professor of environmental and forest biology with her heritage as a member of the Citizen Potawatomi Nation.

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Her first book, Gathering Moss: Her second, Braiding Sweetgrass: Olsen Nature Writing Award. Earthworms, wicked bugs, deadly plants. For Stewart, a Texas transplant in California with a trademark wit, the story of the natural world is the grandest and most important human story.

A personal favorite of mine is The Drunken Botanist: University of North Carolina Press. Seven percent, according to a survey commissioned by the National Park Service. If black people comprise twice that percentage of the U. These are potent questions of race, identity, and connection that Carolyn Finney, a writer, performer, and cultural geographer, addresses in her book, Black Faces, White Spaces: A mixture of scholarship, memoir, and history, the book is an academic yet probing read, braiding analysis with interviews to trace the environmental legacy of slavery, racial violence, and Jim Crow segregation while also celebrating contributions black Americans have made to the environment.

My refuge exists in my capacity to love.

Women Writing About the Wild: 25 Essential Authors | Outside Online

If I can learn to love death then I can begin to find refuge in change. Seven died of cancer. Rooted in the sprawling landscape of her native Utah, the book pivots between the natural and unnatural, between a family devastated by exposure to s atomic bomb testing and a bird refuge despoiled by developers. And she writes in such a shimmering manner that decades after reading Refuge for the first time, I can still see the egrets, owls, and herons on the Great Salt Lake.

That home was a junkyard in rural southern Georgia, where Ray writes about growing up in a poor, white, fundamentalist Christian family. Ray mourns the apocalyptic deforestation of these pines, a valuable tree to merchants and the U. It grew from Virginia to Florida to Texas and has been replaced by faster-growing commercial pines.

The author of six books, Ray focuses her work on rural life, agriculture, human rights, and environmental sustainability. What sets her apart as a nature writer? Because of the terrain, our emphasis is more botanic than geologic, more rural than urban, and more deeply rooted in story rather than statistic, generally speaking.

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H is the third book for Helen MacDonald, a British poet, illustrator, falconer, and historian. What can we expect next from MacDonald? This widely influential anthology features nearly poems, from 18th-century slave Phillis Wheatley to recent poet laureate Rita Dove. It challenges the notion that the tradition of nature writing has been solely grounded in the pastoral or wild landscapes of America and Europe.

The voices within the collection show nature as a devastating legacy of slavery, with people forced to work the land; at the same time, portraits emerge of writers who saw nature as a source of hope, with seeds of survival. I reintroduced myself to myself, this time a mother. After which, nothing was ever the same. Journeys into Race, Motherhood, and History , was published in June.

It is her detailed and arresting book, The Invention of Nature: Colleen Coyne marked it as to-read May 04, Liz Cameron added it Feb 02, Subeg Singh added it Sep 24, Mary Ellen Sanger added it Dec 10, Elspeth marked it as to-read Mar 27, Alyson Bowers marked it as to-read Apr 26, Joshlynn marked it as to-read Jun 02, Peggy Shibuya marked it as to-read Jun 29, Vanessa Smith marked it as to-read Jan 02, Briseyda marked it as to-read Mar 24, Sarah Lillo marked it as to-read Jan 18, Gretchen marked it as to-read Mar 05, Leticia marked it as to-read May 03, Cole Swafford marked it as to-read May 05, Alma marked it as to-read Jun 09, Fatma marked it as to-read May 21, Kibuchi GK added it Jun 05, Allan Aguilar marked it as to-read Jun 06, Deema Al-Qaissiah marked it as to-read Jul 13, Ammar marked it as to-read Jul 17, Krista the Krazy Kataloguer marked it as to-read Jul 07, Her writing, however, was only publicly recognized in Canada in the mid eighties, when, having sent her work to various literary competitions in Spain, she was awarded second place for poetry and short-listed for international fiction prizes.

At the time, her work had yet to be published in English translation, but is now translated into many languages, including, most recently, Slovenian. Rio is not solely a poet, however. The book is comprised of excerpts from testimonials by Guatemalan refugees, as well as poems by Rio inspired by her experience with these refugees. Most strikingly, the collection foregrounds the symbolic richness and history of the origins of the tango dance in a way that takes the reader through various sensuous paces.


Lavoie and Hugh Hazelton. On the Threshold… is a collection that explores the awareness of an imminent death while Vertical Labyrinth reconstructs the story of genesis from a female point of view. Throughout her career, Rio has also endeavoured to showcase the work of other writers. Published by Broken Jaw, it extends to over pages in its eBook version. In addition, she co-edited a bilingual anthology with fellow New Brunswick writer M. A collection of articles from that colloquium was edited by writer and translator Gabriela Etcheverry and published as Nela Rio. Her fonds consists of manuscripts, drafts, correspondence, academic papers and projects, recordings, and her correspondence and work for the project "La Voz y la Escritura.

Since then she has also been anthologized in Retrato de Una Nube:

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