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  1. Cries In The Drizzle Yu Hua
  2. Cries in the Drizzle by Yu Hua |
  4. Cries in the drizzle : a novel

Notes from the Fog.

Cries In The Drizzle Yu Hua

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Cries in the Drizzle by Yu Hua |

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The E-mail Address es you entered is are not in a valid format. Please re-enter recipient e-mail address es. You may send this item to up to five recipients. The name field is required. Please enter your name. There is no other family, no one to care for him or feed him, and while his mother wasn't in the slightest bit nurturing or loving, she at least provided a home for him. I loved her response to the interrogation at the Public Security Bureau: So long as you're taking care of state business, you're doing your jobs all right.

But my vagina belongs to me - it's not government issue. Who I sleep with is my affair, and I can look after my own vagina perfectly well, thank you very much. It's quite sad, and combined with the images of poverty and the sense of these people as being quite disposable and without real value, Cries in the Drizzle paints a pretty bleak picture of communist China.

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It does maintain its focus on the people, not the politics; you simply glean truisms from the stories of people's lives. I just wish those stories had been easier to follow; the narration is disjointed, and Sun Guanglin's habit of omniscience robs the stories he tells of authenticity: How does he know what happened, what someone was thinking, what Su Yu was feeling as he lay dying? It's all conjecture, speculation, and this undermines the credibility of his story - especially as it reads like a memoir. With no plot, there is little direction to this coming-of-age story.

There's no forward momentum or impetus. When you have a plotless novel, it's down to the characters to carry the story. In some ways, this being a story about people, the characters are well fleshed out. And yet they always remain caricatures of themselves. There's no real depth or understanding to them.

Cries in the drizzle : a novel

Sun Guanglin's narration remains consistent in this regard: It's perplexing, and frustrating. Even when people die, when children die - something that, these days, never fails to bring on the waterworks - I was left largely untouched. Cries in the Drizzle failed to connect with me emotionally, and without that connection - on top of a lack of plot and basic structure - I had no reason to keep reading. Time to move on. View all 3 comments. Mar 12, Andy Deemer rated it it was ok. I have to admit, I didn't actually finish the book.

Hilarious, upsetting, fun, brilliant, etc etc. But after or so pages of Cries in the Drizzle, I realized I couldn't continue. It's a similar story -- coming of age during China's periods of trial -- but this book had become my period of trial. There's no overarching story in this book, and no narrative continuity. There are anecdotes told -- my god so many anecdote I have to admit, I didn't actually finish the book.

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There are anecdotes told -- my god so many anecdotes -- but they're told in such a jumbled fashion. One single story, perhaps a breaking of a bowl, might take pages to play out. He'll return to and develop and expand it, over and over and over and over. It's a broken bowl and a child accused -- with no grand significance, dammit! But we'll keep coming back to it or any other anecdote told. And, just like that hideous episode of Lost, we'll jump back and forward in time A character might take 20 pages to slowly pass away.

When they're gone, we cheer -- now, the story can move on! Clearly that one really irritated me. But the dead brother, the walk home from the boat trip, the hammering of the coffin -- all of these can stand in as equally annoying. It's jarring, and irritating, and difficult to relax in. Unlike David Foster Wallace -- both these books take minor characters or asides and dwell on them for pages -- this doesn't feel great or inspired.

Every time he expresses an emotion, or describes a situation, in three, four, five different ways, using five different analogies, in five consecutive sentences, I also felt a hint that the editor of this book was on holiday. There are wonderful moments. But those moments are so weighed down by the rest of the book, I couldn't do it.

I had to quit. Nov 24, Stephen Douglas Rowland rated it really liked it. Probably Yu Hua's least reader-friendly novel in English translation, this disjointed work is by turns disturbing, hilarious, gruesome, and moving. I think it's his best, after Chronicle of a Blood Merchant. This book has been a hard-core reading Author knew how to create the true atmosphere of China in its 50s. While I was reading it, I could vividly feel see, hear, smell, touch the village where the main character lives. I was having an impression of the grey world, my soul was bathing in strange depression and void however I could not put the book aside.

It is a cold and lonely story. The author is a master of souls, he perfectly understands inner worlds - he is not another Dostoyevsky, but This book has been a hard-core reading The author is a master of souls, he perfectly understands inner worlds - he is not another Dostoyevsky, but he surely is a skilful sensitive artist. This book is exactly what I have been looking for: I even have difficulties to describe this master piece! And do not expect anything easy and smooth, this is the novel - big, complex and massive.

Jan 12, Gyatsang Sey rated it really liked it.

A novel without a central plot, but still able to keep my attention from wavering.