e-book Face to Face: Volume One: Missing Love

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  1. The Misconception of Missing Someone – P.S. I Love You
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A gracefully aging face is a beautiful thing, but there are changes that occur with age that we would like to slow down. Age affects every nook and cranny of the body. Along with the wisdom, experience, and accomplishments that come with getting older, there are changes that occur in our outward appearance.

Changes in our faces are most at the forefront. There are also structural rearrangements going on behind the scenes. When we're young, fat in the face is evenly distributed, with some pockets here and there that plump up the forehead, temples, cheeks, and areas around the eyes and mouth.

With age, that fat loses volume, clumps up, and shifts downward, so features that were formerly round may sink, and skin that was smooth and tight gets loose and sags. Meanwhile other parts of the face gain fat, particularly the lower half, so we tend to get baggy around the chin and jowly in the neck. And, of course, there are the wrinkles. Those deep ones in the forehead and between the eyebrows are called expression, or animation, lines.


They're the result of facial muscles continually tugging on, and eventually creasing, the skin. Other folds may get deeper because of the way fat decreases and moves around. Finer wrinkles are due to sun damage, smoking, and natural degeneration of elements of the skin that keep it thick and supple.

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Even if you have great genes and look much younger than you are, age-related changes in our facial appearance are unavoidable. Those changes reflect our joys and challenges in life. One approach is to simply celebrate our age and appearance for what they are. Not everyone is comfortable with that, and some might like to postpone embracing those changes.

The age-defying facelift, which surgically removes excess tissue and lifts sagging skin in the lower part of the face, is one way to try to stem the tides of time. She remembers other children and a woman who is not Mrs. Johnson, along with the dress. Janie goes to the attic and rummages through the boxes that she finds there, in the boxes, the school papers with the name Hannah Javensen. She also finds the polka-dotted white dress that she saw on the milk carton.

When confronted by Janie, Mr. Johnson explain that Hannah is their daughter, and that Janie is Hannah's daughter, their granddaughter. Hannah was a confused teen who joined a cult at a young age. She was mated to one of the men in her cult and one day showed up at the Johnsons' house with Janie.

Hannah returned to her cult, and the Johnsons left with Janie fearing that the cult would try to get her back, moving to a different state, and even changing their names from 'Javensen' to 'Johnson. Janie is relieved that the people whom she believed to be her parents, Mr.

Johnson, were not kidnappers.

The Misconception of Missing Someone – P.S. I Love You

However, Janie cannot get the picture on the milk carton or the memories of another family out of her mind. She researches the Jennie Spring kidnapping.

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She comes to the conclusion that her parents might have actually kidnapped her. But, she still loves them and tries to forgive them. Before our lives divide for ever, While time is with us and hands are free , Time, swift to fasten and swift to sever Hand from hand, as we stand by the sea I will say no word that a man might say Whose whole life's love goes down in a day; For this could never have been; and never, Though the gods and the years relent, shall be.

Is it worth a tear, is it worth an hour, To think of things that are well outworn? Of fruitless husk and fugitive flower, The dream foregone and the deed forborne?

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Though joy be done with and grief be vain, Time shall not sever us wholly in twain; Earth is not spoilt for a single shower; But the rain has ruined the ungrown corn. I had grown pure as the dawn and the dew, You had grown strong as the sun or the sea. But none shall triumph a whole life through: For death is one, and the fates are three. At the door of life, by the gate of breath, There are worse things waiting for men than death; Death could not sever my soul and you, As these have severed your soul from me. You have chosen and clung to the chance they sent you, Life sweet as perfume and pure as prayer.

But will it not one day in heaven repent you? Will they solace you wholly, the days that were? Will you lift up your eyes between sadness and bliss, Meet mine, and see where the great love is, And tremble and turn and be changed? Content you; The gate is strait; I shall not be there. The pulse of war and passion of wonder, The heavens that murmur, the sounds that shine, The stars that sing and the loves that thunder, The music burning at heart like wine, An armed archangel whose hands raise up All senses mixed in the spirit's cup Till flesh and spirit are molten in sunder — These things are over, and no more mine.

These were a part of the playing I heard Once, ere my love and my heart were at strife; Love that sings and hath wings as a bird, Balm of the wound and heft of the knife.

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Fairer than earth is the sea, and sleep Than overwatching of eyes that weep, Now time has done with his one sweet word, The wine and leaven of lovely life. Sweet is true love though given in vain , in vain; And sweet is death who puts an end to pain: I know not which is sweeter, no, not I. Love, art thou sweet? Love, thou art bitter; sweet is death to me. O Love, if death be sweeter, let me die. Here her hand Grasped, made her vail her eyes: O shut me round with narrowing nunnery-walls, Meek maidens, from the voices crying 'shame.

I must not scorn myself: Let no one dream but that he loves me still. Love lifts us up where we belong Far from the world we know Up where the clear winds blow. A song fluttered down in the form of a dove, And it bore me a message, the one word—Love!